This week Simon Rich’s new novella “Sell Out” is being serialized on newyorker.com. It’s the story of Simon Rich’s great-great-grandfather, who falls into a pickle barrel and emerges, one hundred years later, into hipster Brooklyn. On the podcast this week, Rich reads excerpts from the first installment, and then talks with Susan Morrison about the inspiration for his novella, his experiences writing for Saturday Night Live, and his love of the comedic premise, as practiced by Roald Dahl, T. C. Boyle, Douglas Adams, Kurt Vonnegut, and others. Listen now: http://nyr.kr/122n043
Jeremy Denk remembers pianist Charles Rosen, author of “The Classical Style,” who recently passed away: http://nyr.kr/XEI6yK
Photograph from 1969 by Erich Auerbach/Hulton Archive/Getty.
Cressida Leyshon discusses the fiction story in this week’s issue, “Breatharians,” with its author, Callan Wink: http://nyr.kr/RucD0b

In 2005, Mo Yan, who today won the Nobel Prize in Literature, wrote a remarkable brief memoir for Le Monde (available to the newspaper’s subscribers) in which he described what he calls “an event that I’ve never forgotten and that remains tied to today’s political and social life”—and it was a movie that he saw in 1973, “The Flower Girl,” made in North Korea, directed by Kim Jong-il, based on an opera that was written by Kim Il-sung.
- Richard Brody
Click-through to continue reading.
“There is no part of me that feels that I represented myself as your children’s babysitter or their teacher.”
Ian Parker talks with J.K. Rowling about her life, writing “Harry Potter,” and her new realist novel for adults, “The Casual Vacancy”. Click-through to read.
Brad Leithauser reflects on Ernest Hemingway for the third post in a series in which we ask what book or writer our contributors have returned to again and again: http://nyr.kr/OBe3VC

Photograph: Hulton Archive/Getty.
Click-through to read Steve O’Donnell’s remembrance of his brother, the playwright and author Mark O’Donnell, who passed away Monday, and for a few of Mark’s humor pieces for the magazine: http://nyr.kr/Nz50T1
This week’s story, “Permission to Enter,” charts the life of its protagonist, Keisha Blake, and her best friend, Leah Hanwell, neighbors in a housing estate in North West London, from the ages of four to twenty-one. Through a series of numbered vignettes, we watch Keisha’s progression through school and university as she and Leah gradually leave the estate and its expectations behind them.
In this Q. & A., Smith discusses her story: http://nyr.kr/NMmAad
Get the first glimpse of Malcolm Gladwell’s next book in this video, where Gladwell talks to Nicholas Thompson about the art and science of the underdog: http://nyr.kr/MaTT1N
(Source: newyorker.com)